Monteith Mccollum
1
Late Night Listening
1 - 3
No.
( Electro Accoustic montages from home and the Adirondacks )
1
2
3
The Electronic Hunting Call Series
(An experiment amounting to endless variations and musings on visages of artificial landscapes)
No. 61 – Between Surfaces (8:35)
No. of Calls 4 – Including: Loon, Duck, Goose, & Deer. Sound sent through transducer applied to a piano soundboard on one track.
No. 77 – Evening (8:55)
No. 77 – Evening (8:55)
No. of Calls (Lost Track) Dove, Squirrel, Duck, Crow, Fox and sampled Cuckoo from 78.
No.109 – The Thicket (8:42)
No. of Calls 5 & One field recording – Including: Crow, Hawk, Robin, Deer, Turkey, & Peacock.
Article link
Bradbury Composition No. 1 - 8:45 min Upright
Solenoids and spinning motors integrated within a 1930's Bradbury piano soundboard controlled by a modular sequencer. Inspired by the works of Conlon Nancarrow’s player piano pieces. This work is a blend of electronic synthesis with acoustic processes. Various sine waves tones sent through the soundboard allow for sympathetic resonating frequencies to occur and generative feedback.
